Der Ewich Yeeger

As we come to the time when the Wild Hunt traditionally returns home, this video on the Pennsylvania Deitsch and Urglaawe take on the Eternal Hunter seems appropriate. From the uploader's comments:
"Der Ewich Yeeger, known also as Ewicher Yeeger and the Eternal Hunter, is credited with saving the early Deitsch settlers along (and north of) the Blue Mountain ridge in Pennsylvania. He and his pack of hounds are still heard in the villages along the Ridge. Urglaawe celebrates His fame and deeds in November."

A gift from Santa: Santa Pete shares his insight on the real St. Nick and Christmas Read more: Cleveland Daily Banner - A gift from Santa Santa Pete looks at Christmas

"Describing how Saint Nicholas and early legends of Norse gods became the magical symbol of Santa Claus, Edna Barth, in her book, “Holly, Reindeer, and Colored Lights, The Story of Christmas Symbols” wrote, “Swedish children wait eager for Jultometen, a gnome whose sleigh is drawn by Julbocker, the goats of the thunder god Thor. With his red suit and cap, and a bulging sack on his back, he looks much like the American Santa Claus.”

In the chapter, “Santa Claus and his Ancestors,” Barth says, “Thousands of years before Christ, the Scandinavian god Odin rode through the world at midwinter on this eight-footed horse, sleipnir, bringing reward and punishment.

“His son, Thor, god of farming, thunder and war made his home in the far north. At the same season, the gentle German goddess Hertha descended with her gifts of good fortune and health. The Christian religion brought an end of such pagan gods, in form at least. Later, as St. Nicholas and Father Christmas, they reappeared in spirit.”

Read more of this article by William Wright at the Cleveland Daily Banner .

Christmas or Yule? Pagan secrets of the festive season

"Around 730 AD the Venerable Bede recorded a custom of the Anglo-Saxons, from whom many modern Britons and Americans are descended. 'They began the year,” he wrote, “with 25 December, designated by the heathen term módraniht, that is, the mothers' night.'

The Anglo-Saxons had another word for it: Geol from Jol in Old Norse, the language of the Vikings, and the origin of our word Yule.

At this time the Vikings would honor the gods Odin, Niord and Freya, as well as departed friends. As the leader of the Wild Hunt, Odin would fly over the countryside bestowing favors on those who honored him best and food would be left out for him. Think of Santa's elves, sleigh and reindeer."

Read the full article at the Sierra Sun.

Sculpture at home at Calf Pasture Beach

"The 35-ton tall steel-and-concrete sculpture was shaped by Lundberg in New York City more than 10 years ago. It since has been on display there, in Providence, R.I., and most recently at Oyster Shell Park.

The sculptor, whose parents are from Sweden, said he orignally named the sculpture 'Odin' after the Nordic god. Lundberg said he and others are now trying to think of a new name for it."

Personally, I think the sculpture should keep the name it has. The full article may be seen, with a photo of the sculpture, at The Norwalk Hour

Christmas Throughout Heathendom

Following is an excerpt from an article by O.M. Spencer , "Christmas Throughout Christendom," which first appeared in the January 1873 issue of  Harper's Weekly:

In Germany the Christmas holidays appear to have been substituted for the old pagan festival of the "Twelve Nights," which extended from the 25th of December to the 6th of January. The Twelve Nights were religiously observed by numerous feasts, and were regarded by the ancient Germans as among the holiest and most solemn of their festivals. Regarding, in common with other pagan nations, the active forces of nature as living personifications, they symbolized the conflict of natural forces by the battle of the gods and giants. Thus in the old German mythology Winter is represented as the ice-giant, heartless ,inexorable, the enemy of all life, and the relentless foe of gods and men. By the aid of his powerful steed Swadilfari, the all-stiffening north wind, he constructs a formidable castle of ice, which threatens to inaugurate the reign of Night and Winter, of Darkness and eternal Death. Then follows the conflict of giants and gods, of Winter with Spring, of North Wind with South Wind, until Thor, the god of the thunder-storm, demolishes with his thunder-stone the castle of the ice-giant, when Freija, the beautiful goddess of spring, resumes her former sway; and life and light and prosperity return.

But the restless giants ever invent new stratagems to regain their lost supremacy. Thrym, the prince of the giants, robs the sleeping Thor of his dreaded sledge-hammer, and hides it eight leagues under the earth. This insures the reign of Winter for the eight months of the year when the thunder-storm slumbers, until Thor, accompanied by Loki, the spring wind, again demolishes with his recaptured hammer the castle of the ice-king, when the Winter Storm is again compelled reluctantly to retire. This eternal conflict of the opposing forces of summer and winter frequently occurs under various forms in the German mythology, and constituted one of the most striking features of the old German poesy, as the beautiful legend of Idunna and her apples and the giant Thiassi, in the poem of "Edda."

In the midst of this struggle of the conflicting forces of nature the Germans and other Northern peoples celebrated the festival of the Twelve Nights. This festival, as already stated, commenced on the 25th of December. Though in the depth of midwinter, when the ice-king was in the full flush of victory, it was nevertheless the turning-point in the conflict of natural forces. The sun-god having reached the goal of the winter solstice, now wheeled his fiery steeds, and became the sure precursor of the coming victory of light and life over darkness and death.

But while a pagan festival might be transformed into a Christian holiday, there was no place in a system of theism, unless in its poesy, for the pantheon of pagan gods. These were therefore either relegated to oblivion, or, metamorphosed into demons, witches, and ghosts, are now supposed to have special power to work mischief, particularly during the Christmas-time. Hulda, once the producing night of spring, now bewitches the distaff of lazy spinner-girls. Odin, the god of fecundity, who formerly pursued with impetuous ardor the fair and beautiful Freija, now, as the wild huntsman of hell, sweeps through the air with his devilish crew, foretelling future wars or portending coming calamity. The once-resplendent Berchta, now a malevolent witch, hung with cow-bells and disguised with a horrid wooden mash, has become the bugbear of children, as she mutters from house to house,

          "Children or bacon,

          Else I don't go away."

A singular rumor of sea-birds, during the nights of November and December, in the island of Schonen, is still known as the hunting of Odin.

In the Bavarian and Styrian Alps the Twelve Nights are called "Rumor Nights," on account of their visions of ghosts and hobgoblins, when priests and prudent housewives, with prayer and invocation, holy-water and burning incense, fumigate dwelling and outhouse, and sprinkle their cattle with salt. Hence these nights were also called "Fumigating Nights." As an additional protection against "witches' feet" and "devils' paws," the initials of the holy magicians were formerly inscribed upon the door-posts. On the dreaded Twelfth-night, when Frau Holle, or Berchta, issues with her fearful train from her wild mountain home, where she dwells among the dead, she is generally preceded by the faithful Eckhart, an old man with a long beard and a white wand, who warns every one of her terrible approach.

There is a pretty legend related by Von Reinsberg in his "Festliche Jahr" (to which we are indebted for much of the material and a number of the illustrations for this article), that on one occasion the good Eckhart met two little children, who, coming out of a beer shop with a pot of beer, were overtaken by the fearful troop, who drank all the beer. Having no money to buy more, and apprehensive of punishment, they cried bitterly, when the faithful Eckhart comforted them with the assurance that if they would never tell what they had seen, their pot would always be brimful of beer. And so it was, until their parents prevailed upon the children to divulge the mysterious secret, when the miraculous gift disappeared.

As with Christmas as a holiday, so with many of its characters and customs. If not of pagan origin, they constitute a curious medley of paganism and Christianity. This is particularly true among the Germans, who were strongly attached to their old religious ceremonies. The Christ-child with his gifts and masked attendant all belong to the German antiquity. In the procession of the star-singers the three kings replace the pagan gods. Only the names have been changed, while the custom has received the rites of a Christian baptism. The German custom of some one going, in a state of nudity, at midnight on Christmas-eve, to bind the fruit trees with ropes of straw, or of frugal housewives shaking the crumbs from the table-cloth around their roots in order that they become more fruitful, clearly points to the mysterious influence attributed by the ancient Germans to the time of the Twelve Nights. In the Tyrol the fruit trees, for a similar reason, are soundly beaten. In Bohemia they are violently shaken during the time of the midnight mass; while in other localities they are regaled with the remains of the Christmas supper, to which they had been previously and specially invited.

A similar custom, probably of German origin, still prevails in some parts of England. In Devonshire a corn cake and some hot cider are carried into the orchard, and there offered up to the largest apple-tree as the king of the orchard, while those who take part in the singular ceremony join lustily in the chorus,

          "Bear good apples and pears enoug' —

          Barns full, bags full, sacks foil!

               Hurrah! hurrah! Hurrah!"

Mistletoe and holly, Yule-log and Yule-candle, belong to the same category. The mistletoe was regarded by the Druids with religious veneration, and its berries of pearl, as symbolic of purity, were associated by them with the rites of marriage. From this the transition was but slight to the lover's kiss beneath its mystic bough during the Christmas-tide. At this festive season also they kindle bonfires upon the hill-tops. Nor must we forget that our pagan progenitors burned a great log and a mammoth candle upon the 21st of December, which, being the shortest day in the year, was regarded as the turning-point in the conflict between the contending forces of winter and spring.

The original article may be found in its entirety at Wikisource.

Wild Huntsman Legends

Åsgårdsreien (1872) by Peter Nicolai Arbo
Wikimedia Commons

As this is the season of the Wild Hunt, I thought I would post this link from D. L. Ashliman's website on Odin. The page, with which some will already be familiar, contains numerous legends about the Wild Hunt, from England, Germany, the Netherlands, Poland, Denmark, and Bohemia, plus links to additional stories. The page may be found here.

World Upside Down: Gunnlöth's Tale

Review by  Eygló Svala Arnarsdóttir of the new English edition of  Svava Jakobsdóttir's 1987 novel, loosely based on the story of Gunnlöth, Odin, and the Mead of Poetry. The full article may be read at Iceland Review.

The Origins of Divinity: ‘American Gods’

Image courtesy Wikimedia

"Gaiman novel looks critically at the fall of old legends and their modern replacements. ... Mr. Wednesday is even revealed to be Odin, a Norse god brought to America in the minds of the Viking explorers of the past." Read the full article at the Dakota Student Online.

Wikipedia entry for today: High, Just-As-High, and Third

High, Just-As-High, and Third converse with
Gangleri on an 18th century Icelandic manuscript.
Image courtesy Wikimedia Commons.

High, Just-As-High, and Third (Old Norse Hár, Jafnhár, and Þriðji, respectively) are three men that respond to questions posed by Gangleri (described as king Gylfi in disguise) in the Prose Edda book Gylfaginning ("The Tricking of Gylfi"). Read the full article at Wikipedia.

Wikipedia entry for the day: Sága and Sökkvabekkr

Sága records while Odin dictates in an
 illustration (1919) by Robert Engels.
Image courtesy Wikimedia Commons.

"In Norse mythology, Sága (Old Norse: [saːɣa], possibly meaning "seeress"[1]) is a goddess associated with the location Sökkvabekkr (pronounced [sɔkːwabekːr] in Old Norse; "sunken bank", "sunken bench", or "treasure bank"[2]). At Sökkvabekkr, Sága and the god Odin merrily drink as cool waves flow. Both Sága and Sökkvabekkr are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and in the Prose Edda, written in the 13th century by Snorri Sturluson. Scholars have proposed theories about the implications of the goddess and her associated location, including that the location may be connected to the goddess Frigg's fen residence Fensalir and that Sága may be another name for Frigg." Read the full article at Wikipedia.

"American Gods" coming to HBO

I'm sure Mr. Wednesday has his googly eye on this:

"Neil Gaiman to adapt novel American Gods for HBO, Author tells Edinburgh book festival of project to develop tale of ancient gods in modern US into TV series" Full story at the Guardian.